Sarah, Hon. Fel­low of both RIBA and the Land­scape Insti­tute, is a pub­lic space and pub­lic art expert and cura­tor, and was pre­vi­ous­ly Direc­tor of CABE Space at the Com­mis­sion for Archi­tec­ture and Built Envi­ron­ment. She was Chair of the Ele­phant and Cas­tle Regen­er­a­tion Forum for five years.

Richard is a Char­tered Accoun­tant, pre­vi­ous­ly the Finance Direc­tor at Dis­as­ters Emer­gency Com­mit­tee. He brings career expe­ri­ence of man­ag­ing finance, resources and projects in the arts and not-for-prof­it sector.

Neil is Provost of Oriel Col­lege, Oxford University.

He is a non-exec­u­­tive direc­tor of the Depart­ment of Dig­i­tal, Cul­ture, Media and Sport. He led two gov­ern­ment reviews in 2017 — The Men­doza Review of muse­ums in Eng­land and a Strate­gic Review for the Cab­i­net Office cov­er­ing the nation­al muse­ums. Addi­tion­al gov­ern­ment appoint­ments include being a Com­mis­sion­er of His­toric Eng­land and a mem­ber of the review pan­el look­ing into the sus­tain­abil­i­ty of Eng­lish church­es and cathe­drals. Neil is also a direc­tor of Meira GTx, a gene ther­a­py com­pa­ny, list­ed on Nasdaq.

Neil is Chair of The Land­mark Trust. Pre­vi­ous­ly, Neil was Chair of Chil­dren and the Arts, a nation­wide char­i­ty ded­i­cat­ed to using cul­tur­al work to help chil­dren in dis­ad­van­taged com­mu­ni­ties and hos­pices. He was also Vice-Chair of Soho The­atre and a trustee of the Shake­speare Schools Fes­ti­val and has twice been on the judg­ing pan­el for the Lau­rence Olivi­er Awards.

Ear­ly in his career Neil co-found­ed and ran a pub­lish­ing com­pa­ny, For­ward, that was sold to mar­ket­ing group, WPP.

Han­nah Roth­schild is a writer, film­mak­er, com­pa­ny direc­tor and phil­an­thropist. She has made films for the BBC, HBO and oth­ers. Her books have been pub­lished in twelve lan­guages. The Improb­a­bil­i­ty of Love won the Bollinger Wode­house best com­ic nov­el and was run­ner up to the Bail­ley Women’s prize for fic­tion in 2015. Her new nov­el House of Trelawney will be pub­lished in Feb­ru­ary 2020.

In 2015 she became the first woman to chair the Nation­al Gallery. She serves on the boards of char­i­ta­ble foun­da­tions in the UK and abroad.

She is a Non-Exec­u­tive Direc­tor of RIT Cap­i­tal Part­ners Ltd and Wind­mill Hill Asset Man­age­ment Ltd.

In 2018 she was made CBE for ser­vices to Lit­er­a­ture and Philanthropy.

Fabia Bro­movsky is Chief Exec­u­tive of The Roth­schild Foun­da­tion. After grad­u­at­ing in Math­e­mat­ics at Somerville Col­lege, Oxford, she joined Lord Rothschild’s office in 1985. Dur­ing this time she worked on a port­fo­lio of pri­vate busi­ness invest­ments includ­ing Clifton Lit­tle Venice, Robert Day Flow­ers and Clifton Nurs­eries. In 1990 she led the project to restore Wad­des­don Manor, a Roth­schild House owned by the Nation­al Trust and now man­aged and opened to the pub­lic on their behalf by the Roth­schild Foun­da­tion. She became Man­ag­ing Direc­tor of Roth­schild Wad­des­don Ltd, the trad­ing com­pa­ny estab­lished to run the com­mer­cial oper­a­tions at the Manor in 1994 and along­side this, in 1995, was appoint­ed Chief Exec­u­tive of Wad­des­don Manor. She was appoint­ed Chief Exec­u­tive of The Roth­schild Foun­da­tion short­ly after its incor­po­ra­tion in 2011.

Muni­ra Mirza is Exec­u­tive Direc­tor for Cul­ture at King’s Col­lege Lon­don. She was Deputy May­or for Cul­ture and Edu­ca­tion in Lon­don for eight years and has worked for a range of arts and char­i­ta­ble organ­i­sa­tions includ­ing Tate, Pol­i­cy Exchange and the Roy­al Soci­ety of Arts. In 2018 she ini­ti­at­ed an award-win­ning dig­i­tal film project for the visu­al arts called HENI Talks. Muni­ra writes reg­u­lar­ly in the media and is on the board of the Roy­al Opera House.